Tuesday, May 27, 2008

MIndfulness in the New York Times

from this morning's paper:

The patient sat with his eyes closed, submerged in the rhythm of his own breathing, and after a while noticed that he was thinking about his troubled relationship with his father.

“I was able to be there, present for the pain,” he said, when the meditation session ended. “To just let it be what it was, without thinking it through.”

The therapist nodded.

“Acceptance is what it was,” he continued. “Just letting it be. Not trying to change anything.”

“That’s it,” the therapist said. “That’s it, and that’s big.”

This exercise in focused awareness and mental catch-and-release of emotions has become perhaps the most popular new psychotherapy technique of the past decade. Mindfulness meditation, as it is called, is rooted in the teachings of a fifth-century B.C. Indian prince, Siddhartha Gautama, later known as the Buddha. It is catching the attention of talk therapists of all stripes, including academic researchers, Freudian analysts in private practice and skeptics who see all the hallmarks of another fad.

continue on to the article

Monday, May 26, 2008

Holistic Life Foundation

On Wednesday, May 28, HLF will be visiting our school and conducting two workshops in yoga and mindfulness. These three young men have a great story: they saw a need for guidance, mindfulness, and yoga amongst the undersupervised kids in their gritty Baltimore neighborhood. They have brought their program into the schools and the YMCA's. They even are working with a researcher at Johns Hopkins on isolating the clinical effects of mindfulness training.

Welcome, gentlemen!

The Usefulness of Libraries

Robert Darton, Director of the University Library at Harvard, has a very interesting piece in the June 12th issue of the NY Review of Books (which is not the New York Times Book Review, in case you were wondering). He begins with an overview of the technological evolution of books (written language circa 4000 b.c.e., alphabetic script 1000 b.c.e., scrolls 0 b.c.e., the codex, or bound, flip page book 3 century c.e., movable type in China around year 1000, metallic movable type in Korea, two centuries later, Gutenburg the 1450's). Eventually he uses this timeline to argue for the inherent instability of texts and the lasting value of books. The value of books lay in the format's many variations: size and material reflect economic and social information, variant texts indicate many authorial and editorial intentions and accidents. All of this is valuable to a historian.

Needless to say, since 1969 and the early experiments to link up computers, the pace of change in the world of texts has been mind boggling. As January, 2005, there were 60 million blogs, for instance. By July, 70 million. Google is now in the mix, striking deals with Oxford, the NYC public library, Michigan, Stanford, and Harvard to digitize their collections.

Much has been written about a "post-literate" or "hyper-literate" generation, a cohort largely innocent of books. Amongst academics and college students, the web has displaced much of the library's traditional function: a sanctum and a place where you could find information available no where else. Darnton argues that this is still the case and that crucial information will be lost not by the act of digitizing texts, but rather by the growing belief that an authoritative text is online and that the search, as it were, can end there.

He presents several points:

1) Google can not possibly put all texts, and their variants online. Someone will choose the "true" text; someone will be making the decision to leave out thousands of chapbooks, DIY's, trade paperbacks, etc.

2) 60 percent of the books being currently digitized in only one of the above libraries. This is a mere fraction of what is available in research libraries across the U.S. Even if Google manages to digitze 90 per cent of this vast holding, many millions of books may vanish. And if we neglect our libraries because we think everything is on Google, they will vanish.

3) Copyrights are a huge problem. They extend 70 years past the lifetime of the author. This means hundreds of millions of items of text can only be read a few lines at a time, the standard "fair use" asserted by Google.

4) Companies vanish. Google will too. Then what?

5) Human error, computer error. Errors compounding errors.

6) Hardware and software become obsolete. This happens really fast, doesn't it?

7) Since Google plans to digitize many versions of the same book, how will they be prioritized? And how would anyone know which versions have been left out? A quote from the article: "Google employs hundreds, of not thousands, of engineers but, as far as I know, not a single bibliographer."

8) The size and texture of a book cannot be digitized. The article is worth reading for the details here.

As someone who loves the smell of binders glue and old bookshops, and considers human language the ultimate moving target, count me as a Darntonian. I still recall the gasp that escaped me when I stumbled across James Joyce's so-called "Buffalo Notebooks" at the BC library- these are the fascimiles of his notes for Finnegan's Wake- it was like when one first apprehends the true dimensions of an iceberg.

Ten years ago I would have asserted that the record album would remain a vital format. I don't think so anymore. The album- LP, CD, or MP3- is crumbling back into individual songs. A book, however, holds unique information about production in a way that the very standardized music formats of the past and present never have. Maybe the book will last...or at least have a decline in proportion to it longevity. Text maybe unstable, but ink on paper is far less so.


Music

I found this surprising: of the 10 best selling albums in the U.S. of all time, only two are greatest hits collections. I still find the numbers staggering. Remind me again how the music industry manages to lose money every year? Oh, yeah. I remember now. They didn't see the internet coming.

Best Selling Albums (U.S.)
Best Selling Albums (worldwide)

Another interesting tidbit: Thriller, of course, stands alone in worldwide sales. But the next tier of sales has on it three albums easy to guess: Saturday Night Fever (previous to Thriller, the best selling album of all time), The Eagles Greatest Hits (ugh!), Dark Side of the Moon (some of the initial profits from the LP went to financing Monty Python and the Holy Grail, also the longest charting album of all time) and finally...AC/DC's Back in Black. This last one surprised me.

I would love to see the a distribution of sales figures across the globe. How does AC/DC do in West Africa, or Shanghai?